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The University of Tokyo
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Backnumbers
No.16-19 April 2023
1-8 |
HATTORI, Yoshinari |
Inconsistency in Kant’s Conception of a Maxim |
9-16 |
ODA, Takuya |
Metalinguistic Negotiations and Cross-Linguistic Disputes |
17-24 |
NAKAGAWA, Yuichi |
Should We Commit Suicide? : The Problem of Death in David Benatar’s Anti-Natalism |
25-30 |
JEONG, Subin |
Inabune Tazawa: A Forgotten Woman Writer in the Meiji Period |
31-39 |
NAKAYA, Nodoka |
Re-Reading Millôr Fernandes’s Haikus from the Perspective of Epigram |
40-49 |
KONG, Biyue |
Documenting Mountains in Interwar Japan:
the Landscape Photography of Murai Yoneko and a New History of Lady’s Camera Club |
50-56 |
HATTORI, Yoshinari |
Does the Ability to Do Otherwise Include a Disposition?
A Defense of the New Dispositionalism |
No.14-15 March 2019
i-ii |
SUGAWARA, Katsuya |
Preface to the 14th and 15th Volumes of Windows on Comparative Literature |
No. 14 |
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1-8 |
YAMANO, Hiroki |
Philosophical Inquiry into Reality of "History" |
9-22 |
KITAGAWA, Erin |
The Interplay of the Various Discourses Surrounding Mental Illness in Kokyō Nakamura’s KARA(Shell) |
23-30 |
USAMI, Cosmo |
The Jpanese Sword as a Daily Necesseity: Introduction to Sword Culture for the Late Muramachi Court Nobles |
No. 15 |
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31-39 |
YAMANO, Hiroki |
Paul Ricoeur and Hermeneutics: “Compréhension” and “Action” |
40-49 |
ZHENG, Jishi |
Hagiwara Sakutarō and Panorama |
No.12-13 April 2017
i |
SUGAWARA, Katsuya |
Preface to the 12th and 13th Volumes of Windows on Comparative Literature |
No. 12 |
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1-12 |
OKUHATA, Yutaka |
Angela Carter with the Marquis de Sade: Pornography, Catastrophe, and Mortal Bodies |
No. 13 |
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13-20 |
KIKUTA, Leo |
On Mallarmé’s Translation of Poe’s “To My Mother” |
21-34 |
KITAGAWARA, Erin |
Sleep Culture as Seen in Heian Literary Works: A Study of Sleep Abnormalities |
35-47 |
LOVEX, Summer |
Tragedy and the Ideal: The Adaptation of Tolstoy and the Russian Classics for the Takarazuka Revue |
48-54 |
USAMI, Cosmo |
What is “Authentic”?: The Circulation of Counterfeit Swords in Gift-Giving Ceremonies of the Muromachi Period |
55-61 |
ISHIKAWA, Manami |
Enchi’s Method of Yielding Reality in a Fantastic World: Analyzing Enchi Fumiko’s “Shishijima Kitan” |
No.10-11 April 2015
i-ii |
SUGAWARA, Katsuya |
Preface to the 10th and 11th Volumes of Windows on Comparative Literature |
No. 10 |
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1-8 |
IWASHITA, Hirofumi |
"Truth in literature" in Natsume Sōseki's Theory of Literature (Bungakuron) |
9-16 |
MATSUEDA, Kana |
Uchida Roan: The Unnoticed Link between Japanese and British Students of Russian Affairs at the Beginning of the 20th Century |
17-24 |
BONNEELS, Pierre |
Does only philosophy extract concepts?: A critical essay on the vision of concept by Gilles Deleuze and Félix Guattari |
No. 11 |
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25-32 |
MORINAGA, Yutaka |
Some Suggestions on the Problem of the Philosophical Self |
33-39 |
LEE, Taehee |
Freedom and Moral Responsibility |
40-49 |
KAWASUMI, Akiko |
Japanese Gardens at Shepherd's Bush, 1910: Lafcadio Hearn's "In a Japanese Garden" and the Official Guide for the Japan–British Exhibition 1910 |
50-56 |
YANG, Li |
Use of the Term "Hsing (性) " in Chinese as a Translation for Sex in 19–20th Century China- around the early English–Chinese dictionaries |
57-64 |
OHDA, Naoki |
Analysis of Oguri Fūyō's Koizame: from the view point of the relation between the author and his work |
65-75 |
USAMI, Cosmo |
Past and Its Interpretation: Attitudes toward the Middle Ages in the Japanese Early-modern Academy |
76-84 |
TONE, Naoki |
Hatakeyama Yoshinari and the Harris Community |
No.8-9 April 2013
No. 8 |
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1-14 |
ITOH, Yuki |
Meter over Meaning: ISHIKURA Kosaburō's "Rurō no Tami," a Japanese Version of Schumann's Song "Zigeunerleben" |
15-23 |
NISHIDA, Kiriko |
Defining the Narrator in Nakagami Kenji's The Wing of the Sun and Tawada Yoko's The Night Train of a Suspect |
No. 9 |
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24-32 |
YAMAZAKI, Hazumu |
What Does the Word "Nonfiction" Mean?: The Case of Truman Capot's Nonfiction Novel, In Cold Blood |
33-40 |
LEE, Seok |
The Japanese Translation of "Big Two-Hearted River" |
41-51 |
KOHL, Rita |
The Translation of Japanese Literature in Brazil: The Case of Eiji Yoshikawa's Miyamoto Musashi |
52-64 |
MATSUI, Hiromi |
Picasso's Ceramics and French Communist Politics after the Second World War |
65-75 |
HORIE, Hidefumi |
The History of TERAYAMA Shuji's Photography: From the 1960s' Snapshots to the 1970s' "Directed Pictures" |
76-86 |
GONG, Lan |
The Image of Dust in Kusō-shi of Emperor Shōmu's Zasshū |
87-95 |
YAMAMOTO, Yoshitaka |
Flower Arrengement as a Masculine Art in Edo-period Japan: A Reading of Yamamoto Hokuzan's Preface to Kashida Hokugan's Collection of Classical Chinese Prose and Poetry |
96-106 |
TAPE, Tyler |
Annotation as a Comic Theme in Kiyu-gaki Sōshi |
107-121 |
WAKABAYASHI, Megumi |
"Crazy Verse about Christianity in the New Style": Translation and Source Analysis |
No.6-7 April 2012
i-ii |
SUGAWARA, Katsuya |
Preface to the 6th and 7th Volumes of Windows on Comparative Literature |
No. 6 |
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1-8 |
KITAMURA, Sae |
Shakespeare in High School: The Taming of the Shrew and 10 Things I Hate About You |
9-17 |
MAESHIMA, Shiho |
Melodramatized Experiences: Textual Appeal of the Confessional Story in Popular Periodicals in Interwar Japan and Its Socio-Historical Implications |
No. 7 |
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18-29 |
SHIN, Jae-eun |
The White Woman as Other: Gender and Interracial Issues in Native Speaker and Never Forever |
30-39 |
NISHIDA, Kiriko |
How America Influenced the Japanese Inner Life through the Occupation Period: Rereading Kojima Nobuo's The American School with a Focus on the Chopsticks |
40-47 |
LEE, Bu Yong |
The Father-Daughter Relationship in The Tale of Genji: A Comparative Analysis with SimCheong-Jeon |
48-56 |
LEE, Seok |
The Best Selling Story, Secrets for Eliminating Futile Work and Increasing Production (1913) and Taylorism in Japan |
57-66 |
KABUTO, Yasutaka |
Eternally Looking North: Borders in the Early Poetry of Patrick Kavanagh |
No.4-5 April 2009
i-ii |
SUGAWARA, Katsuya |
Preface to the Fourth and Fifth Volume of the WCL |
iii-xv |
KNIGHTON, Mary |
The Pleasures and Terrors of the Ohsawa Colloquium; or, How the OC Fits into a Graduate Student's Career Path |
No. 4 |
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1-10 |
YASUNAGA, Marie |
Sound, Light and Vibration: Reading “Brancusi's Golden Bird” by Mina Loy |
11-18 |
KITAMURA, Sae |
Performances and Lies: Oscar Wilde's ‘The Decay of Lying’ |
19-25 |
KAMEDA, Masumi |
Presentness on Stage: Resistance by Vvedensky and Beckett |
26-33 |
ONOSE, Soichiro |
Righting the Nation: Parody and Nationalism in James Joyce's “Oxen of the Sun” |
34-49 |
OKU, Ayako |
Female Narratives in the Works of Dazai and Kiš |
50-65 |
MAESHIMA, Shiho |
Rethinking Women's Magazines: The Impact of Mass-Market Women's Magazines on Reading Culture in 1920-30s Japan |
No. 5 |
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66-75 |
TSUJIKAWA, Noriko |
Oscar Jászi's Discussion on “Culture” at the Beginning of the 1920s |
76-87 |
KABUTO, Yasutaka |
Subtle Disharmony in the Marriage: Social Catholicism and an “Ideal” Ireland 1932-1939 |
88-97 |
ONOSE, Soichiro |
“Yes, the Newspapers Were Right”: Language and the Question of Affectivity in “The Dead” |
98-109 |
MORIYAMA, Noritaka |
Positions and Actions: The Tachi/Neko System of Gay Men in Japan |
110-115 |
KOSAKA, Eliko |
Queering Asian American Masculinity in Perry Miyake's 21st Century Manzanar |
116-124 |
KITAMURA, Sae |
Egyptian Givers: Politics and Economy in Antony and Cleopatra |
125-137 |
MAESHIMA, Shiho |
Just Like Motion Pictures: Transformations of Illustrated Articles in Pre-World War II Japanese Magazines |
No.3 April 2007
i |
SUGAWARA, Katsuya |
Preface to the third WCL |
1-12 |
NOBUOKA, Asako |
Beyond the Myth of the Nature Lover: Re-evaluating “Japanese” Nature Photography |
13-21 |
LINKHOEVA, Tatiana |
Overcoming Modernity: Nishitani Keiji on Nihilism and Emptiness |
22-32 |
OKU, Ayako |
Kiš and Borges |
33-45 |
LEE, Seok |
Comparative Studies on Edgar Allan Poe's “Silence-A Fable” and Akutagawa Ryūnosuke's “The Belief of Bisei (尾生の信)” |
46-54 |
NAGAI, Kumiko |
The Desire to Win Against China in the Twelfth Century: The Background to the Creation of the Scroll of Kibi's Adventure in China |
55-70 |
TAKEI THUNMAN, Noriko |
The Genre of Haikai in Early Japanese Literary History |
No.2 April 2006
i |
SUGAWARA, Katsuya |
Preface to the second WCL |
1-12 |
COSTANTINO, Roselyn |
Spacial and Corporeal Identity in Mexican Women's Performance |
13-19 |
EGLINTON, Mika |
The ‘Arabic Hamlets’ as Fragmented Mirrors: An Essay on Sulayman Al-Bassam”s Al-Hamlet Summit: A Political Arabesque |
20-31 |
KOSAKA, Eliko |
Linear Versus Warped Temporality: Non-Anglo Time in Karen Tei Yamashita's Tropic of Orange |
32-39 |
ONOSE, Soichiro |
A History of Okinawan Conformism: Ifa Fuyu and “The Okinawan-Japanese Homogeneity Theory” |
40-47 |
NAGAI, Kumiko |
Kemari, or Japanese “Ancient Football”: The Delight of the Emperor and the Vassals in Twelfth Century Japan |
No.1 December 2005
i-ii |
SUGAWARA, Katsuya |
The Birth of the “Student (Ohsawa) Colloquium” and Windows on Comparative Literature |
1-3 |
KAWASHIMA, Takeshi |
Introductory Note |
4-14 |
MILTON, John |
Contemporary Developments in Translation Studies: Factory and Aristocratic Translation |
15-22 |
NAKAI, Maki |
Translating the Terms for Colors of Medieval Japan |
23-30 |
NAGAI, Kumiko |
Kemari and the Relation between Japanese Emperors and their Vassals in the Heian Period |
31-38 |
ARINOBU, Mamina |
Two Images of King HenryII of England and his Court |
39-53 |
KAWAGUCHI, Keiko |
Rethinking the Reception of 1930s French Cinema in Pre-War Japan |
54-60 |
GABRAKOVA, Dennitza Stefanova |
Walt Whitman's “Grass” |
61-71 |
KIKUCHI, Yūki |
The Birth of the “Pessimistic Poet”: Mainly on the Reception of Lord Byron in Kitamura Tokoku's Essay “The Pessimistic Poet and the Woman” |
72-81 |
KAWASHIMA, Takeshi |
Modernism: Imaging Words; or Wording Image |
82-90 |
TANAKA, Yumi |
Imagining a New Comparative Literature: A Review of Spivak's Death of a Discipline (New York: Columbia UP, 2003) |
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