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Copyright 2006 © All rights reserved
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The University of Tokyo
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東京大学比較文学比較文化研究室で開催されるOhsawa Colloquiumと連動して発刊されている、英文論文集Windows on Comparative Literatureのバックナンバーです。
第6-7号が2012年4月に発行されます。
Backnumbers
No.6-7 April 2012
| i-ii |
SUGAWARA, Katsuya |
Preface to the 6th and 7th Volumes of Windows on Comparative Literature |
| No. 6 |
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| 1-8 |
KITAMURA, Sae |
Shakespeare in High School: The Taming of the Shrew and 10 Things I Hate About You |
| 9-17 |
MAESHIMA, Shiho |
Melodramatized Experiences: Textual Appeal of the Confessional Story in Popular Periodicals in Interwar Japan and Its Socio-Historical Implications |
| No. 7 |
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| 18-29 |
SHIN, Jae-eun |
The White Woman as Other: Gender and Interracial Issues in Native Speaker and Never Forever |
| 30-39 |
NISHIDA, Kiriko |
How America Influenced the Japanese Inner Life through the Occupation Period: Rereading Kojima Nobuo's The American School with a Focus on the Chopsticks |
| 40-47 |
LEE, Bu Yong |
The Father-Daughter Relationship in The Tale of Genji: A Comparative Analysis with SimCheong-Jeon |
| 48-56 |
LEE, Seok |
The Best Selling Story, Secrets for Eliminating Futile Work and Increasing Production (1913) and Taylorism in Japan |
| 57-66 |
KABUTO, Yasutaka |
Eternally Looking North: Borders in the Early Poetry of Patrick Kavanagh |
No.4-5 April 2009
| i-ii |
SUGAWARA, Katsuya |
Preface to the Fourth and Fifth Volume of the WCL |
| iii-xv |
KNIGHTON, Mary |
The Pleasures and Terrors of the Ohsawa Colloquium; or, How the OC Fits into a Graduate Student's Career Path |
| No. 4 |
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| 1-10 |
YASUNAGA, Marie |
Sound, Light and Vibration: Reading “Brancusi's Golden Bird” by Mina Loy |
| 11-18 |
KITAMURA, Sae |
Performances and Lies: Oscar Wilde's ‘The Decay of Lying’ |
| 19-25 |
KAMEDA, Masumi |
Presentness on Stage: Resistance by Vvedensky and Beckett |
| 26-33 |
ONOSE, Soichiro |
Righting the Nation: Parody and Nationalism in James Joyce's “Oxen of the Sun” |
| 34-49 |
OKU, Ayako |
Female Narratives in the Works of Dazai and Kiš |
| 50-65 |
MAESHIMA, Shiho |
Rethinking Women's Magazines: The Impact of Mass-Market Women's Magazines on Reading Culture in 1920-30s Japan |
| No. 5 |
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| 66-75 |
TSUJIKAWA, Noriko |
Oscar Jászi's Discussion on “Culture” at the Beginning of the 1920s |
| 76-87 |
KABUTO, Yasutaka |
Subtle Disharmony in the Marriage: Social Catholicism and an “Ideal” Ireland 1932-1939 |
| 88-97 |
ONOSE, Soichiro |
“Yes, the Newspapers Were Right”: Language and the Question of Affectivity in “The Dead” |
| 98-109 |
MORIYAMA, Noritaka |
Positions and Actions: The Tachi/Neko System of Gay Men in Japan |
| 110-115 |
KOSAKA, Eliko |
Queering Asian American Masculinity in Perry Miyake's 21st Century Manzanar |
| 116-124 |
KITAMURA, Sae |
Egyptian Givers: Politics and Economy in Antony and Cleopatra |
| 125-137 |
MAESHIMA, Shiho |
Just Like Motion Pictures: Transformations of Illustrated Articles in Pre-World War II Japanese Magazines |
No.3 April 2007
| i |
SUGAWARA, Katsuya |
Preface to the third WCL |
| 1-12 |
NOBUOKA, Asako |
Beyond the Myth of the Nature Lover: Re-evaluating “Japanese” Nature Photography |
| 13-21 |
LINKHOEVA, Tatiana |
Overcoming Modernity: Nishitani Keiji on Nihilism and Emptiness |
| 22-32 |
OKU, Ayako |
Kiš and Borges |
| 33-45 |
LEE, Seok |
Comparative Studies on Edgar Allan Poe's “Silence-A Fable” and Akutagawa Ryūnosuke's “The Belief of Bisei (尾生の信)” |
| 46-54 |
NAGAI, Kumiko |
The Desire to Win Against China in the Twelfth Century: The Background to the Creation of the Scroll of Kibi's Adventure in China |
| 55-70 |
TAKEI THUNMAN, Noriko |
The Genre of Haikai in Early Japanese Literary History |
No.2 April 2006
| i |
SUGAWARA, Katsuya |
Preface to the second WCL |
| 1-12 |
COSTANTINO, Roselyn |
Spacial and Corporeal Identity in Mexican Women's Performance |
| 13-19 |
EGLINTON, Mika |
The ‘Arabic Hamlets’ as Fragmented Mirrors: An Essay on Sulayman Al-Bassam”s Al-Hamlet Summit: A Political Arabesque |
| 20-31 |
KOSAKA, Eliko |
Linear Versus Warped Temporality: Non-Anglo Time in Karen Tei Yamashita's Tropic of Orange |
| 32-39 |
ONOSE, Soichiro |
A History of Okinawan Conformism: Ifa Fuyu and “The Okinawan-Japanese Homogeneity Theory” |
| 40-47 |
NAGAI, Kumiko |
Kemari, or Japanese “Ancient Football”: The Delight of the Emperor and the Vassals in Twelfth Century Japan |
No.1 December 2005
| i-ii |
SUGAWARA, Katsuya |
The Birth of the “Student (Ohsawa) Colloquium” and Windows on Comparative Literature |
| 1-3 |
KAWASHIMA, Takeshi |
Introductory Note |
| 4-14 |
MILTON, John |
Contemporary Developments in Translation Studies: Factory and Aristocratic Translation |
| 15-22 |
NAKAI, Maki |
Translating the Terms for Colors of Medieval Japan |
| 23-30 |
NAGAI, Kumiko |
Kemari and the Relation between Japanese Emperors and their Vassals in the Heian Period |
| 31-38 |
ARINOBU, Mamina |
Two Images of King HenryII of England and his Court |
| 39-53 |
KAWAGUCHI, Keiko |
Rethinking the Reception of 1930s French Cinema in Pre-War Japan |
| 54-60 |
GABRAKOVA, Dennitza Stefanova |
Walt Whitman's “Grass” |
| 61-71 |
KIKUCHI, Yūki |
The Birth of the “Pessimistic Poet”: Mainly on the Reception of Lord Byron in Kitamura Tokoku's Essay “The Pessimistic Poet and the Woman” |
| 72-81 |
KAWASHIMA, Takeshi |
Modernism: Imaging Words; or Wording Image |
| 82-90 |
TANAKA, Yumi |
Imagining a New Comparative Literature: A Review of Spivak's Death of a Discipline (New York: Columbia UP, 2003) |
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